Saturday, 10 July 2010
The inevitable sequel followed in 1991, though pleasingly it was a worthy follow-up. It didn't match the first film, but nonetheless it was an enjoyable romp and further developed the alien predators, providing a more substantial glimpse of the creatures' culture and their strange codes of honour (not to mention throwing in the odd geek reference, like the alien skull in the predators' spaceship).
Frustratingly, despite the potential scope for further films (the first two movies barely scratch the surface of predator culture) the pickings for fans of the franchise over the next twenty years were slim indeed: the painfully mediocre Aliens Vs Predator in 2004 and the laughably terrible Aliens Vs Predator: Requiem in 2007 offered next to nothing in terms of further development of the species.
But in Predators, fans of the franchise have finally got a film worthy of the two original movies.
Like its predecessors, the new installment in the series has a simple premise: seven strangers from a variety of backgrounds (mostly military) find themselves on an alien world with no idea of how they got there, or why. When it swiftly becomes apparent that something is hunting them, they're forced to work together in order to try and survive. Naturally, all sorts of mayhem ensues.
Predators has been called a 'reboot' of the series, and while I'm not overly keen on the term, it's certainly true in the sense that this film takes the franchise back to its roots - hunters and hunted, locked in a desperate struggle in a jungle environment. This is one of the most pleasing aspects about Predators: that it pays homage to the first film in a number of ways (the music and sound effects are deliberately very reminiscent of the original movie, while certain lines of dialogue are also borrowed - as is one entire scene which is clearly a nod to a moment in Predator).
One of Predator's strengths was the focus it placed on characterisation, and the same is true of this new installment. Although the results are admittedly somewhat mixed, there's enough depth here for the watcher to engage with. Adrien Brody - somewhat surprisingly, it must be said - is convincing as the brooding mercenary Royce, as is Alice Braga as an Israeli sharpshooter. There perhaps could have been more character development - the individuals' backstories are barely touched on - but of course this would have had to have been balanced against the film's pace, and the filmmakers have clearly plumped for pace and action, which is hard to argue with.
The predators of course, are the stars of the show: they've been given a 21st-century makeover, and are as fearsome as ever. The unnerving way they shimmer in and out of visibility never gets old, while the mask-and-dreadlocks image is as cool as ever. There's no serious revelations about them or their culture, but there are hints here and there - such as the fact that they sometimes turn on their own kind, which has never been alluded to before.
There are flaws of course; the dialogue is occasionally stiff and lacks the quotability of the original film (though it does have its moments), the plot itself isn't much of a departure from the film's predecessors (and is one of those plots you can pick holes in if you want to), and you can't help but feel that more could have been done with this bunch of misfits in terms of character development. Yet this is an action film, and to be fair it does the action part pretty darn well - there's plenty of exciting sequences, one or two twists, and overall it's a lot of fun.
And as always, the predators are very, very cool.